Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.


A classic example of Rothko's colour field paintings, 'Green and Maroon' features large, soft-edged rectangles of colour that invite contemplation and emotional response. The subdued palette and blurred edges create a sense of depth and immersion.
Mark Rothko, born Markus Yakovlevich Rothkowitz in Latvia, was a leading figure in the Abstract Expressionist movement. He emigrated to the United States as a child and later became known for his colour field paintings. These works, characterised by large, rectangular areas of colour, aim to evoke emotional responses through their scale and chromatic relationships. Rothko sought to express fundamental human emotions through abstract forms, moving away from representational art. His mature style emerged in the late 1940s, and he continued to refine it until his death in 1970. Rothko's work is held in major museum collections worldwide. 'Green and Maroon' exemplifies Rothko's signature style. The canvas is divided into horizontal sections of colour, with a dominant field of green above a maroon section. Thin lines of blue and white separate the colour blocks, creating a subtle visual tension. The edges of the rectangles are soft and blurred, allowing the colours to blend and interact. The painting's large scale immerses the viewer, encouraging contemplation and a personal emotional experience. The subdued palette and diffused light contribute to the work's contemplative mood.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Dropped out of Yale, spent a decade finding his format, returned a restaurant commission because the diners did not deserve the paintings, and filled a chapel after his death.
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