Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A serene pencil study of a woman's head with closed eyes, attributed to Edward Burne-Jones, c. 1873. This elegant drawing captures the artist's idealised vision of beauty and serenity, making it a timeless addition to any home.
This delicate pencil study, 'Head of a Woman with Eyes Closed', is attributed to the British artist Edward Burne-Jones, a key figure in the Aesthetic Movement. Dating from around 1873, the drawing exemplifies Burne-Jones's preoccupation with beauty, serenity, and the idealised human form. The subject, a woman with softly closed eyes, is rendered with exquisite detail and sensitivity. The fine lines of the pencil capture the gentle curves of her face, the flowing lines of her hair, and the overall sense of peaceful repose. Burne-Jones was deeply influenced by the Pre-Raphaelites and classical art, and this drawing reflects those influences in its graceful composition and ethereal quality. As a fine art print, this work brings a touch of timeless elegance to any interior. Its subtle tones and refined lines make it a versatile addition to a variety of decor styles, from traditional to contemporary. It is particularly well-suited for spaces where a sense of calm and contemplation is desired, such as a bedroom, study, or reading nook. The drawing's intimate scale and delicate execution invite close viewing, rewarding the viewer with its subtle nuances and quiet beauty.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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