Head of a Woman with Eyes Closed - Edward Burne-Jones
Archival giclée
Ready to hang
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Made to order
Description
A serene pencil study of a woman's head with closed eyes, attributed to Edward Burne-Jones, c. 1873. This elegant drawing captures the artist's idealised vision of beauty and serenity, making it a timeless addition to any home.
This delicate pencil study, 'Head of a Woman with Eyes Closed', is attributed to the British artist Edward Burne-Jones, a key figure in the Aesthetic Movement. Dating from around 1873, the drawing exemplifies Burne-Jones's preoccupation with beauty, serenity, and the idealised human form. The subject, a woman with softly closed eyes, is rendered with exquisite detail and sensitivity. The fine lines of the pencil capture the gentle curves of her face, the flowing lines of her hair, and the overall sense of peaceful repose. Burne-Jones was deeply influenced by the Pre-Raphaelites and classical art, and this drawing reflects those influences in its graceful composition and ethereal quality. As a fine art print, this work brings a touch of timeless elegance to any interior. Its subtle tones and refined lines make it a versatile addition to a variety of decor styles, from traditional to contemporary. It is particularly well-suited for spaces where a sense of calm and contemplation is desired, such as a bedroom, study, or reading nook. The drawing's intimate scale and delicate execution invite close viewing, rewarding the viewer with its subtle nuances and quiet beauty.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Head of a Woman with Eyes Closed - Edward Burne-Jones
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Edward Burne-Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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