A delicate 1758 chalk portrait by French artist François Hubert Drouais, depicting a young girl named Marie-Thérèse.

François Hubert Drouais was a prominent portraitist in eighteenth-century France, favoured by the aristocracy for his ability to capture the likeness of his subjects with grace and technical precision. This drawing, executed in 1758, demonstrates his command of chalk as a medium for portraiture. The work depicts a young girl, identified in the artist's own hand as Marie-Thérèse, aged nearly eleven years.

The composition focuses on the subject's head and shoulders, turned slightly to the right. Drouais employs black and white chalk to model the features, using the tone of the paper to provide the mid-tones of the skin. The soft application of the chalk creates a gentle transition between light and shadow, which defines the contours of the face and the texture of the hair. The girl's expression is calm, with a subtle alertness in her gaze that suggests a moment of quiet observation.

Technically, the drawing reflects the practices of the period, where artists often used chalk studies to prepare for larger oil paintings. The lines are delicate, showing the artist's confidence in capturing the anatomy of the face. The background remains largely unworked, which directs the viewer's attention to the subject. The inscription at the bottom left, written by the artist, provides a direct link to the historical context of the piece, documenting the date and the identity of the sitter. This drawing is an example of the portraiture style that defined the mid-eighteenth century, prioritising a naturalistic representation of the sitter while maintaining a sense of refinement. It remains a clear record of Drouais's skill in capturing the character of his subjects through simple, effective mark-making.