Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.









A delicate pencil drawing by Edward Burne-Jones, 'Head of Girl Facing Left' captures the ethereal beauty and introspective mood of the Aesthetic Movement. A refined and timeless portrait study.
This delicate pencil drawing, 'Head of Girl Facing Left', is a beautiful example of Sir Edward Burne-Jones's draughtsmanship. Created around 1873, this study showcases the artist's ability to capture the ethereal beauty and introspective mood that characterised the Aesthetic Movement. Burne-Jones, a key figure in the second wave of Pre-Raphaelites, was deeply influenced by classical literature and mythology, often depicting figures with elongated features and a sense of melancholic grace. The drawing itself focuses on the profile of a young woman, her face rendered with soft, subtle shading. Her flowing hair and delicate features are meticulously detailed, highlighting Burne-Jones's mastery of line and form. The simplicity of the medium allows for an intimate connection with the subject, inviting the viewer to contemplate her inner world. As a fine art print, this piece brings a touch of refined elegance to any space. Its understated beauty and timeless appeal make it a perfect addition to a living room, study, or bedroom, offering a glimpse into the romantic and idealistic vision of the Pre-Raphaelite era. The monochromatic palette ensures it complements a variety of interior styles, from classic to contemporary.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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