Head of Girl Facing Left - Edward Burne-Jones
Archival giclée
Ready to hang
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Made to order
Description
A delicate pencil drawing by Edward Burne-Jones, 'Head of Girl Facing Left' captures the ethereal beauty and introspective mood of the Aesthetic Movement. A refined and timeless portrait study.
This delicate pencil drawing, 'Head of Girl Facing Left', is a beautiful example of Sir Edward Burne-Jones's draughtsmanship. Created around 1873, this study showcases the artist's ability to capture the ethereal beauty and introspective mood that characterised the Aesthetic Movement. Burne-Jones, a key figure in the second wave of Pre-Raphaelites, was deeply influenced by classical literature and mythology, often depicting figures with elongated features and a sense of melancholic grace. The drawing itself focuses on the profile of a young woman, her face rendered with soft, subtle shading. Her flowing hair and delicate features are meticulously detailed, highlighting Burne-Jones's mastery of line and form. The simplicity of the medium allows for an intimate connection with the subject, inviting the viewer to contemplate her inner world. As a fine art print, this piece brings a touch of refined elegance to any space. Its understated beauty and timeless appeal make it a perfect addition to a living room, study, or bedroom, offering a glimpse into the romantic and idealistic vision of the Pre-Raphaelite era. The monochromatic palette ensures it complements a variety of interior styles, from classic to contemporary.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Head of Girl Facing Left - Edward Burne-Jones
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Edward Burne-Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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