A detailed 1609 engraving by Léonard Gaultier depicting King Henri IV of France in an equestrian portrait.

This engraving by Léonard Gaultier depicts King Henri IV of France in a formal equestrian pose. The monarch is shown in profile, mounted upon a horse adorned with elaborate trappings and tassels. He wears a laurel wreath and full armour, holding a baton of command in his right hand. The background features a distant view of a military encampment, suggesting the king's role as a leader in the field. Below the horse, discarded armour and weaponry lie on the ground, a common iconographic device used to signify victory and the cessation of conflict.

Gaultier was a prolific printmaker active in Paris during the late sixteenth and early seventeenth centuries. His work is characterised by precise line work and a disciplined approach to shading, which allows for the clear definition of metallic surfaces and textile textures. The composition follows the conventions of royal portraiture from the period, where the subject is elevated above the surrounding scene to convey authority and stability. The inclusion of a Latin inscription at the base of the print provides a scholarly frame for the image, typical of the humanist influences present in French courtly art at the time.

The print demonstrates the technical capabilities of copperplate engraving, with the artist using varied hatching patterns to create depth and volume. The clouds above and the detailed landscape below provide a sense of scale, contrasting with the foreground figure. This work offers a view into the visual culture of the Bourbon dynasty, reflecting the ways in which the monarchy sought to project its image through printed media. It remains a clear example of the portraiture style favoured by the French aristocracy during the reign of Henri IV, focusing on the representation of the sovereign as both a warrior and a ruler.