Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed study in black chalk and grey wash by Dutch artist Anthonie Waterloo, capturing the textures of trees and riverbank foliage.
Anthonie Waterloo, a Dutch draughtsman and etcher active during the seventeenth century, specialised in the depiction of wooded areas and rural scenes. This work, executed in black chalk and grey wash, demonstrates his technical approach to capturing the textures of foliage and the atmospheric qualities of the Dutch countryside. The composition focuses on a cluster of trees positioned near a riverbank, with the artist employing varied line weights to distinguish between the gnarled trunks and the lighter, more delicate leaves.
Waterloo often worked directly from nature, a practice that informed his ability to render the organic growth of plants and the uneven terrain of the river edge. The use of grey wash provides depth to the scene, creating shadows that suggest the density of the thicket and the presence of light filtering through the canopy. His method of layering chalk and wash allows for a tonal range that mimics the subtle shifts in light found in natural environments. The inclusion of reeds and low-lying vegetation in the foreground anchors the composition, providing a sense of scale against the taller, more dominant trees.
This drawing reflects the broader interest among Dutch artists of the period in the observation of the natural world. Waterloo avoided the idealised forms favoured by some of his contemporaries, opting instead for a more direct representation of the wilder, uncultivated aspects of the environment. The work remains a clear example of his skill in using monochromatic media to convey the complexity of a forest scene. By focusing on the interplay between the solid forms of the trees and the fluid movement of the water, he creates a balanced view of the rural environment. The paper support retains its original character, allowing the chalk marks to remain visible and providing a tactile quality to the final print.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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