Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Hilltop at Evening - Giorgio Morandi
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A 1928 etching by Giorgio Morandi, featuring a rural Italian scene rendered through precise, rhythmic cross-hatching.
Giorgio Morandi, a master of the quiet observation, produced this etching in 1928. The work captures a rural Italian scene with a focus on the structural relationship between architecture and the surrounding vegetation. Morandi employs a rigorous system of cross-hatching to define form and shadow, creating a sense of volume through the density of his lines rather than through tonal washes.
The composition is balanced, with the buildings situated centrally, partially obscured by trees. The artist avoids unnecessary detail, choosing instead to reduce the scene to its essential geometric components. This approach reflects his broader practice, which often involved the repeated study of simple objects or familiar views from his studio window in Bologna. By limiting his subject matter, Morandi achieved a high degree of control over the interplay of light and texture.
In this print, the sky remains largely untouched, allowing the dark, textured masses of the trees and the solid forms of the houses to command the viewer's attention. The etching process is evident in the crispness of the lines and the deliberate way the ink sits upon the paper. This work demonstrates the artist's ability to find order within the natural world. It is a study in restraint, where the absence of colour forces a closer examination of the mark-making and the spatial arrangement of the elements. The result is a composition that feels both grounded and timeless, typical of Morandi's disciplined approach to printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Hilltop at Evening - Giorgio Morandi
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giorgio Morandi
Morandi outlined his feet in chalk on the ground when he painted landscapes outdoors so he would not shift position. He only painted dry or artificial flowers, never living ones. He lived his entire life in the same family apartment in Bologna with his three unmarried sisters, never married, and only left Italy three times, all late in life.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Giorgio Morandi
Morandi outlined his feet in chalk on the ground when he painted landscapes outdoors so he would not shift position. He only painted dry or artificial flowers, never living ones. He lived his entire life in the same family apartment in Bologna with his three unmarried sisters, never married, and only left Italy three times, all late in life.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
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