Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Histoire du Costume en France: Juges diseurs - Paul Gavarni
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
A detailed lithograph by Paul Gavarni depicting two figures in fifteenth-century French costume, from the series Histoire du Costume en France.
This lithograph by Paul Gavarni, titled Juges diseurs, forms part of the series Histoire du Costume en France. Gavarni, a prolific French caricaturist and illustrator, possessed a keen eye for the nuances of historical dress and social posture. In this work, he depicts two figures dressed in the fashion of the fifteenth century, a period he explores with both accuracy and a touch of theatricality. The figures stand in a relaxed, conversational pose, their garments featuring the characteristic puffed sleeves and fitted hose of the late medieval era.
Gavarni uses fine, controlled lines to define the texture of the fabric and the subtle shading of the forms. The composition is balanced, with the two men leaning towards one another, creating a sense of camaraderie. The print reflects the nineteenth-century fascination with historical revivalism, where artists sought to document the past through a lens of contemporary aesthetic sensibilities. The work is marked with the series title at the top and the specific subject at the bottom, typical of the mass-produced lithographic plates distributed in Parisian periodicals of the time.
As a draughtsman, Gavarni was known for his ability to capture character through gesture and attire. Here, the focus remains on the silhouette and the specific details of the historical costume, from the feathered cap to the pointed footwear. The print serves as a record of the period's interest in costume history, presented with the technical precision of a master lithographer. The paper shows the natural ageing expected of a nineteenth-century publication, providing a tactile quality to the historical subject matter. This piece offers a glimpse into the intersection of fashion history and graphic art during the mid-nineteenth century in France.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Histoire du Costume en France: Juges diseurs - Paul Gavarni
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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