A poignant wartime propaganda illustration by Sergey Solomko, depicting a civilian mother and child under threat during the First World War.

This work by Sergey Solomko, a Russian artist active in Paris during the early twentieth century, functions as a piece of wartime propaganda. The composition depicts a woman clutching an infant, positioned directly in the path of a rifle barrel held by an unseen assailant. The scene is framed by a window, suggesting a domestic space violated by external conflict. The text included on the print, written in both French and English, translates to a plea for divine intervention and retribution, reflecting the intense emotional climate of the First World War era.

Solomko, known for his delicate illustrations and work in the Art Nouveau style, adopts a more direct and illustrative approach here to convey the gravity of the subject. The figure of the woman is rendered with a sense of desperation, her gaze directed upward, while the rifle barrel creates a horizontal line that bisects the composition. The colour palette is relatively muted, focusing attention on the central figures and the stark reality of the threat. The work was produced as a postcard, a medium frequently used during the period to circulate imagery and influence public opinion regarding the conflict.

This print captures the intersection of fine art illustration and political messaging. Solomko uses his technical skill to evoke a specific emotional response from the viewer, employing clear visual symbols to communicate the vulnerability of civilians in wartime. The inclusion of the phrase 'Leurs lâchetés' (Their cowardice) frames the narrative, positioning the act as a moral failing of the enemy. As a historical document, the piece provides insight into the visual culture of the Great War, where artists were often commissioned or motivated to create works that documented the perceived atrocities of the opposing forces. The print remains a clear example of how illustrative techniques were applied to the urgent political demands of the early twentieth century.