A minimalist portrait by the Dutch CoBrA artist Lucebert, featuring a haunting, direct gaze rendered in graphite.

Lucebert, born Lubertus Jacobus Swaanswijk, was a central figure in the Dutch post-war avant-garde. Known primarily as a poet and painter, his visual work often features simplified, almost childlike figures that carry a sense of unease or psychological weight. This drawing, titled Idool met de ogen open, demonstrates his characteristic economy of line. The subject is rendered with minimal detail, yet the placement of the eyes and the shading around the nose and hair create a distinct, haunting presence.

In this work, the artist employs a clean, deliberate line to define the facial structure. The shading is restricted to specific areas, such as the hair and the bridge of the nose, which provides a sense of volume without relying on traditional modelling techniques. The figure stares directly at the viewer, maintaining a fixed, unblinking gaze that aligns with the title. The composition is stark, set against a plain background, which forces the viewer to confront the subject without distraction.

Lucebert was a founding member of the CoBrA movement, which prioritised spontaneous expression and a rejection of academic conventions. While this drawing dates to 1984, long after the formal dissolution of the group, it retains the raw, unrefined energy that defined his earlier contributions to the movement. The work reflects his interest in the human condition, often portraying figures that appear isolated or detached from their surroundings. The date inscribed at the bottom right, 84. 11. 24, confirms the specific moment of its creation, providing a clear link to the artist's later period of production. This piece is a clear example of his ability to convey complex emotional states through the simplest of visual means.