Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A lithograph by El Lissitzky, 'Insert the Red and Clear on Black' showcases the artist's Constructivist style with its dynamic composition of geometric forms in red, white, and black.
This lithograph by El Lissitzky, a prominent figure in the Russian avant-garde movement of the early 20th century, exemplifies the principles of Constructivism. Lissitzky, born Lazar Markovich Lissitzky, was a painter, typographer, photographer, and architect who sought to merge art with technology and social purpose. His work aimed to reflect the dynamism of the modern industrial age. 'Insert the Red and Clear on Black' features a composition of geometric forms arranged in a dynamic, almost architectural manner. The stark contrast between the red and white elements against the black background creates a sense of tension and movement. The work reflects Lissitzky's interest in creating a universal visual language that could transcend cultural boundaries and communicate directly with the viewer. The geometric shapes, rendered with precision, suggest a sense of order and rationality, while their arrangement hints at instability and change. Lissitzky's Constructivist works often served as propaganda for the Soviet regime, promoting the ideals of progress and modernisation. However, his artistic vision extended beyond mere political messaging; he sought to create a new visual aesthetic that would reflect the spirit of the age and inspire social transformation.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
rejected from art school for being Jewish, inventing Prouns between painting and architecture, and designing propaganda while bedridden with tuberculosis
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