A classic etching by Rembrandt van Rijn depicting the biblical figure of Jacob, printed from the original copper plates by Henry Louis Basan.

This etching depicts the biblical patriarch Jacob in a moment of profound grief, reacting to the news of his son Joseph's disappearance. Rembrandt van Rijn, the master of the Dutch Golden Age, employs his characteristic command of line and shadow to convey the emotional weight of the scene. The composition focuses on the seated figure of Jacob, whose posture and expression communicate a heavy sense of loss. Beside him, a younger figure, often identified as Benjamin, provides a counterpoint to the elder's sorrow.

Rembrandt's technique in this work demonstrates his ability to manipulate the copper plate to create varied textures, from the soft folds of the garments to the more dense, cross-hatched areas that define the shadows. The background remains relatively sparse, ensuring the viewer's attention stays fixed on the interaction between the two figures. The artist uses light to model the forms, a hallmark of his approach to printmaking that allows for a sense of volume and physical presence despite the two-dimensional medium.

This specific impression is associated with the later printings by Henry Louis Basan, who acquired many of Rembrandt's original copper plates in the late 18th century. Basan's editions are significant for their role in the dissemination of Rembrandt's graphic work to a wider audience long after the artist's death. The print retains the original signature and the characteristic atmospheric quality associated with Rembrandt's early etching style. It serves as an example of the technical precision required in 17th-century printmaking, where the artist had to account for the reversal of the image during the printing process. The work remains a study in human emotion, rendered with the economy of line that defines Rembrandt's contribution to the history of the etching medium.