Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Edvard Munch's "Jealousy II" (1896) is a Symbolist oil painting exploring themes of envy and suspicion. The work features a man in the foreground with a jealous gaze, while a couple in the background stands beneath a tree.
Edvard Munch's "Jealousy II", painted in 1896, is a potent exploration of human emotion, a recurring theme throughout his oeuvre. Munch, a Norwegian painter whose work is often associated with Symbolism and Expressionism, used his art to explore the depths of the human psyche, confronting themes of love, anxiety, and death. "Jealousy II" is part of a series of works that grapple with the destructive power of envy and suspicion. The painting presents a complex scene with multiple figures. A man with a beard dominates the foreground, his intense gaze directed towards the viewer, conveying a sense of unease and suspicion. In the background, a couple stands beneath a tree bearing red fruit, possibly alluding to the biblical story of Adam and Eve and the loss of innocence. The woman, unclothed, reaches for the fruit, while the man beside her appears to be engaged in conversation. The composition, with its stark contrasts and distorted figures, amplifies the emotional intensity of the scene. Munch's use of colour, particularly the dominant reds and dark greens, further enhances the sense of foreboding and psychological turmoil. The loose brushwork and flattened perspective contribute to the overall feeling of anxiety and emotional rawness, characteristic of Munch's distinctive style.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Lost his mother and sister to tuberculosis as a child, painted The Scream at thirty (the figure is hearing it, not making it), and left a thousand paintings to Oslo.
This product has no reviews yet.