Jealousy II - Edvard Munch
Archival giclée
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Description
Edvard Munch's "Jealousy II" (1896) is a Symbolist oil painting exploring themes of envy and suspicion. The work features a man in the foreground with a jealous gaze, while a couple in the background stands beneath a tree.
Edvard Munch's "Jealousy II", painted in 1896, is a potent exploration of human emotion, a recurring theme throughout his oeuvre. Munch, a Norwegian painter whose work is often associated with Symbolism and Expressionism, used his art to explore the depths of the human psyche, confronting themes of love, anxiety, and death. "Jealousy II" is part of a series of works that grapple with the destructive power of envy and suspicion. The painting presents a complex scene with multiple figures. A man with a beard dominates the foreground, his intense gaze directed towards the viewer, conveying a sense of unease and suspicion. In the background, a couple stands beneath a tree bearing red fruit, possibly alluding to the biblical story of Adam and Eve and the loss of innocence. The woman, unclothed, reaches for the fruit, while the man beside her appears to be engaged in conversation. The composition, with its stark contrasts and distorted figures, amplifies the emotional intensity of the scene. Munch's use of colour, particularly the dominant reds and dark greens, further enhances the sense of foreboding and psychological turmoil. The loose brushwork and flattened perspective contribute to the overall feeling of anxiety and emotional rawness, characteristic of Munch's distinctive style.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Jealousy II - Edvard Munch
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Edvard Munch
Munch, a leading figure in both the Symbolism and Expressionism movements, sought to externalise internal states. His art became a canvas for raw emotion, exploring themes of love, death, and existential dread. He achieved this through bold colours, distorted forms, and a distinctive use of line that conveys a sense of perpetual motion and unease. Works like 'The Sick Child II' and 'The Voice / Summer Night' exemplify his ability to capture fleeting moments of intense feeling.
Munch's unflinching exploration of the human condition continues to resonate deeply. His art speaks to the anxieties and uncertainties of modern life, making his prints a powerful and evocative addition to any collection. His enduring influence can be seen in countless artists who have followed in his footsteps, daring to confront the darker aspects of the human experience. Owning a Munch print is not just acquiring a piece of art; it's embracing a conversation about what it means to be human.
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