Jerry Hudson, a Farm Labourer, with a Longhorn Cow - James Ward
Archival giclée
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Description
A detailed oil painting by James Ward depicting a farm labourer with a Longhorn cow, rendered in the expressive, atmospheric style of the British Romantic period.
James Ward was a pre-eminent British painter of the early nineteenth century, particularly noted for his skill in depicting livestock and rural life. This work depicts Jerry Hudson, a farm labourer, standing beside a Longhorn cow. The breed was highly prized during this period for its hardiness and distinctive, sweeping horns, which Ward captures with anatomical precision.
The composition focuses on the relationship between the man and the animal. The labourer holds a small bundle of fodder, creating a quiet interaction between the two figures. Ward employs a characteristic palette of earthy ochres, browns, and muted greens, which ground the subjects in a rural setting. The sky is rendered with dramatic, swirling brushwork, a technique that reflects the influence of the Romantic movement on his practice. Unlike the more static animal portraits of the eighteenth century, this piece possesses a sense of movement and atmosphere.
Ward was a prolific artist who often worked on commission for landowners who wished to document their prize-winning stock. His ability to combine technical accuracy with a painterly, expressive style made him a sought-after figure in the agricultural circles of the time. The texture of the cow's hide is rendered with loose, confident strokes, while the figure of the labourer is painted with a focus on the practical, worn clothing of the era. This print offers a view into the agricultural history of Britain, capturing a moment of daily life on a nineteenth-century farm. The work remains a fine example of the intersection between scientific observation and artistic interpretation in British art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jerry Hudson, a Farm Labourer, with a Longhorn Cow - James Ward
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