A detailed 1585 engraving by Adriaen Collaert depicting the biblical calling of the apostles within a bustling Flemish harbour scene.

This engraving by Adriaen Collaert, after a design by Hans Bol, depicts the biblical scene of Christ calling his first disciples. The composition is characteristic of late sixteenth-century Flemish printmaking, where the narrative event is integrated into a sprawling, panoramic harbour setting. Christ stands in the foreground, gesturing towards the fishermen who are occupied with their daily tasks, while the background reveals a detailed coastal town complete with fortifications, ships, and bustling activity.

The print demonstrates the technical precision typical of the Collaert family, who were central figures in the Antwerp print trade. The use of fine, controlled lines creates a sense of depth and texture, from the ripples in the water to the masonry of the castle walls. The inclusion of Latin text at the base provides a moralising context, a common feature in prints of this period intended for a learned audience. The scene balances the spiritual significance of the encounter with the mundane realities of maritime life, reflecting the period's interest in combining religious subjects with detailed, observational depictions of the natural and built environment.

Adriaen Collaert was a prolific engraver and publisher, often collaborating with other artists to produce series of prints that circulated throughout Europe. His work is noted for its clarity and adherence to the stylistic conventions of the time, often favouring a high level of detail that rewards close inspection. This particular work captures the intersection of human labour and divine intervention, rendered with the disciplined hand of a master printmaker. The print remains a clear example of the narrative strategies employed by Flemish artists to make biblical stories accessible and relevant to contemporary viewers, grounding the miraculous in the familiar surroundings of a busy port.