A nineteenth-century watercolour depicting a young woman in traditional Surinamese koto misi attire, captured with delicate brushwork and attention to costume detail.

This watercolour by Jacob Marius Adriaan Martini van Geffen depicts a young woman dressed in the traditional koto misi attire. The koto misi is a distinctive style of dress worn by Creole women in Suriname, consisting of a voluminous skirt, a fitted bodice, and a headwrap known as an angisa. The artist, a Dutch colonial official, documented various aspects of life in the colony during the mid-nineteenth century through his sketches and paintings. The subject is captured in a standing pose, her gaze directed downwards. She wears a long, pale pink skirt paired with a striped bodice and a light, patterned shawl draped over her shoulders. Her head is covered by a matching pink headwrap. The artist employs a delicate application of watercolour, focusing on the soft folds of the fabric and the subtle tonal shifts in the clothing. The background remains minimal, allowing the viewer to focus entirely on the details of the costume and the figure. This work provides a visual record of the cultural and sartorial practices in Suriname during the colonial period. The term 'koto' refers to the skirt, while 'misi' is a title of respect. The specific arrangement of the headwrap often communicated social messages or status within the community. Martini van Geffen’s documentation of these garments offers insight into the aesthetic traditions of the Afro-Surinamese population. The piece is rendered with a focus on clarity and observation, characteristic of the ethnographic illustrations produced by European travellers and officials of the era. It remains a valuable reference for the study of historical dress and social identity in the Caribbean and South American regions.