Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.




A geometric abstract composition by British modernist Ben Nicholson, "June 1937 (painting)" features overlapping rectangles and squares in a restrained palette of grey, white, blue, black, yellow, and red.
Ben Nicholson's "June 1937 (painting)" is a prime example of his abstract style, characterised by geometric forms and a restrained colour palette. Nicholson, a significant figure in British modernism, developed a distinctive approach to abstraction that blended influences from Cubism and Constructivism. This work, created in 1937, reflects the artist's interest in exploring spatial relationships and the interplay of shapes. The painting features a composition of overlapping rectangles and squares in muted tones of grey, white, and blue, punctuated by blocks of black, yellow, and red. The arrangement creates a sense of depth and balance, while the subtle variations in colour and texture add visual interest. Nicholson's use of simple geometric forms and limited colour contributes to the painting's sense of clarity and order. Nicholson's abstract works often evoke a sense of calm and contemplation. "June 1937 (painting)" is no exception, inviting viewers to engage with the composition and explore the relationships between its constituent elements. The painting exemplifies Nicholson's contribution to the development of abstract art in Britain and his exploration of form, space, and colour.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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son of two painters who found Alfred Wallis in a fisherman's cottage, visited Mondrian in Paris, and spent nineteen years painting St Ives
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