A 1902 lithograph by Theo van Hoytema featuring an oystercatcher, designed as a decorative calendar page for the month of July.

This lithograph by Theo van Hoytema forms part of a series of calendar pages produced at the turn of the twentieth century. Van Hoytema, a Dutch artist known for his focus on natural history and ornithology, brings a distinct stylistic approach to the depiction of the oystercatcher. The central image features the bird in a characteristic resting pose, standing on one leg against a stylised, patterned background of floral motifs. The composition is framed by a decorative border that repeats geometric and organic shapes, reflecting the influence of Art Nouveau design principles.

The lower portion of the print integrates the calendar grid for the month of July. Van Hoytema incorporates small, repeated silhouettes of the oystercatcher within the grid, replacing standard numerical markers for certain days. This integration of functional typography with illustrative elements is typical of his graphic work, where the boundaries between fine art and commercial design remain fluid. The colour palette is restrained, relying on muted greens, earthy browns, and cream tones to maintain a sense of harmony across the page.

Van Hoytema studied at the Royal Academy of Art in The Hague and developed a reputation for his precise observation of animals. His work often avoids excessive ornamentation, preferring instead to focus on the essential form and movement of his subjects. This specific print demonstrates his ability to balance the requirements of a functional calendar with his own artistic vision. The lithographic process allows for the soft application of colour, which complements the gentle, rhythmic quality of the design. The work remains a clear example of the Dutch graphic arts tradition during the early 1900s, where artists frequently collaborated with printers to produce accessible, high-quality decorative works for the home.