Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
King Solomon Sacrificing to the Idols - Sebastien Bourdon
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A dramatic Baroque history painting by Sebastien Bourdon, depicting the biblical King Solomon engaged in a ritual sacrifice before pagan idols.
Sebastien Bourdon, a French painter active during the seventeenth century, produced this dramatic composition depicting the biblical narrative of King Solomon. The scene illustrates the monarch turning away from his faith to offer sacrifices before pagan idols. Bourdon employs a dark, atmospheric palette characteristic of the Baroque period, using deep shadows to heighten the tension of the illicit ritual.
The composition is arranged with theatrical precision. Solomon appears near the centre, his posture suggesting a mix of devotion and unease. Surrounding him are figures engaged in the act of sacrifice, with smoke rising from a tripod altar to obscure the background. To the right, a large, ghostly statue of a deity looms, its presence rendered with ethereal, muted tones that contrast with the more solid, earthly figures in the foreground. The artist uses light to guide the viewer across the canvas, from the bright red garment of the woman in the left foreground to the sacrificial animal being prepared on the ground.
Bourdon spent significant time in Rome, where he absorbed the influence of Nicolas Poussin and the Venetian masters. This work reflects that training through its structured narrative and careful attention to classical drapery. The painting avoids excessive ornamentation, focusing instead on the psychological weight of the event. The interplay between the human actors and the looming idol creates a sense of foreboding. The brushwork remains controlled, allowing for clear definition of the figures while maintaining the moody, nocturnal quality of the setting. This piece offers a glimpse into the complex religious themes that occupied European painters of the era, presented with the technical rigour and dramatic flair associated with Bourdon's mature style.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
King Solomon Sacrificing to the Idols - Sebastien Bourdon
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Sebastien Bourdon
Bourdon was sent to Paris as an apprentice at the age of seven, enlisted in the army for lack of funds, and was rescued by an officer who financed his trip to Rome in 1634. There he befriended Claude Lorrain and Poussin, before being forced to flee in 1638 to escape the Inquisition because of his Calvinist faith. His life reads as a sequence of escapes.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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