Kochel, Gabriele Münter Painting - Wassily Kandinsky
Archival giclée
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Description
Wassily Kandinsky's 'Kochel, Gabriele Münter Painting' from 1902 depicts his partner in an abstracted outdoor setting, showcasing his early Expressionist style with bold brushwork and vibrant colours.
Painted in 1902, Wassily Kandinsky's 'Kochel, Gabriele Münter Painting' captures his partner, Gabriele Münter, seated within a vibrant, abstracted setting. Kandinsky, a Russian painter and art theorist, is credited with painting one of the first recognised pieces of abstract art. He was a founder of the influential group Der Blaue Reiter (The Blue Rider), formed in 1911, which explored spirituality and symbolism through colour and form. This portrait exemplifies Kandinsky's early Expressionist style, before his complete abstraction. Münter is depicted outdoors, possibly in the Bavarian Alps near Kochel, a location they frequented. The brushwork is thick and textured, with bold strokes of green and blue defining the hillside and sky. Münter herself is rendered with less detail, her form suggested by blocks of colour. The painting conveys a sense of atmosphere and emotion, characteristic of the Expressionist movement, rather than a precise representation of reality. The composition is structured around diagonal lines, creating a dynamic and somewhat unsettling effect.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Kochel, Gabriele Münter Painting - Wassily Kandinsky
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Wassily Kandinsky
Kandinsky's work is characterised by a profound spirituality and a desire to express inner emotions through purely abstract means. He believed that colour held a deep psychological power, capable of directly affecting the viewer's soul. Works like 'Odessa. Port' and 'Old Town II' showcase his transition from representational art towards complete abstraction, evident in his iconic 'Blue Rider' period. His time at the Bauhaus further refined his theories, exploring the relationship between art, architecture, and design.
Today, Kandinsky's pioneering spirit continues to inspire artists and art lovers alike. His vibrant, emotionally charged canvases, such as 'Comet' and 'Kochel: Waterfall I', offer a powerful antidote to the mundane, inviting us to explore the boundless possibilities of abstract expression. Owning a Kandinsky print is not just about acquiring a beautiful image; it's about embracing a revolutionary vision and celebrating the power of art to transcend the visible world.
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