Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Krishna and Radha in a Pavilion - Unknown Artist
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A delicate ink study from the Pahari school, depicting Krishna and Radha in a pavilion with an attendant.
This drawing originates from the Pahari school of Indian miniature painting, a tradition that flourished in the Himalayan foothills during the eighteenth and nineteenth centuries. The composition depicts the divine couple, Krishna and Radha, seated within an architectural pavilion. They are attended by a female figure who stands to the right, offering a gesture of service. The artist employs a delicate line to define the figures, the ornate structure of the pavilion, and the surrounding foliage.
Typical of preparatory sketches or unfinished works from this period, the drawing reveals the artist's process. The fine ink lines provide the structural framework, while subtle applications of wash suggest volume and texture. The pavilion is rendered with attention to architectural detail, featuring scalloped arches and decorative pillars. The surrounding flora, including banana trees and flowering plants, creates a sense of a secluded garden setting.
This work reflects the thematic focus of Pahari art, which often drew upon the Bhagavata Purana and the Gita Govinda to explore the devotional relationship between Krishna and Radha. The figures are depicted in profile, a convention common to the period, with their features and garments rendered with precision. The use of paper with a visible texture adds to the historical character of the piece. As a study, it offers a view into the technical methods employed by court artists, showing how complex scenes were planned before the application of opaque pigments and gold leaf. The balance between the central figures and the architectural elements demonstrates a clear understanding of spatial arrangement within the two-dimensional format.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Krishna and Radha in a Pavilion - Unknown Artist
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Unknown Artist
Anonymity in art often stems from the loss of historical records rather than a choice by the creator. In 19th-century Morocco, early photography was frequently practised by visiting practitioners or local studios whose names were not always recorded on the final prints. Works by an Unknown Artist in this collection include Moroccan studio portraits and Japanese woodblock prints depicting the Battle of Pyongyang. These pieces illustrate how anonymous artists documented global events and personal identities across different continents during the same era.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Unknown Artist
Anonymity in art often stems from the loss of historical records rather than a choice by the creator. In 19th-century Morocco, early photography was frequently practised by visiting practitioners or local studios whose names were not always recorded on the final prints. Works by an Unknown Artist in this collection include Moroccan studio portraits and Japanese woodblock prints depicting the Battle of Pyongyang. These pieces illustrate how anonymous artists documented global events and personal identities across different continents during the same era.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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