A powerful etching from Goya's La Tauromaquia series, depicting the tragic death of the matador Pepe-Hillo in the Madrid bullring.

This etching belongs to the series La Tauromaquia, a collection of thirty-three prints produced by Francisco de Goya between 1815 and 1816. The series documents the history of bullfighting in Spain, moving from historical origins to the specific techniques and dangers of the sport in the nineteenth century. This particular plate, numbered 33, depicts the fatal goring of the famous matador José Delgado Guerra, known as Pepe-Hillo, in the Madrid bullring.

Goya employs a combination of etching and aquatint to create a stark, atmospheric scene. The composition is sparse, focusing the viewer on the violent interaction between the bull and the fallen matador. The use of aquatint provides a tonal range that suggests the dusty, sun-baked surface of the arena, while the etched lines define the figures with precision. Unlike many of his other works that focus on the pageantry of the event, this print captures the raw, unvarnished reality of the bullring. The matador lies prone, vulnerable to the bull, while another figure stands nearby, unable to intervene in the immediate moment of tragedy.

The print reflects Goya's interest in the darker aspects of human experience and his technical mastery of printmaking. By stripping away unnecessary detail, he forces an encounter with the brutality inherent in the spectacle. The work remains a significant example of how Goya utilised the medium of print to explore themes of mortality and the fragility of life. The stark contrast between the light-filled arena floor and the dark, heavy form of the bull creates a sense of immediate tension. This print is a fine example of Goya's ability to document cultural practices while maintaining a critical, observant distance.