Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Le Gros - Franz Kline
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A powerful example of Abstract Expressionism, this 1961 work by Franz Kline features his signature high-contrast black and white gestural forms.
Franz Kline is recognised for his large-scale black and white paintings, which emerged during the height of the New York School in the 1950s. Le Gros, created in 1961, represents the artist's mature period, where his gestural approach reached a state of refined tension. The composition relies on the interaction between bold, dark forms and the surrounding white space, creating a sense of structural weight that feels both immediate and deliberate.
Unlike the spontaneous action painting often associated with his contemporaries, Kline frequently prepared his compositions through small sketches on telephone book pages. This process allowed him to translate the scale of his initial ideas into the expansive dimensions of his canvases. In Le Gros, the heavy black strokes do not merely sit upon the surface; they define the space itself. The work demonstrates his interest in the physical presence of paint and the balance of negative space, which he treated with as much importance as the marks themselves.
Kline's work is often compared to calligraphy, yet he maintained that his paintings were not symbols or signs. Instead, he focused on the architecture of the stroke and the speed of its execution. The visual impact of Le Gros comes from the contrast between the stark, unmodulated white background and the dense, opaque black pigment. This piece captures the essence of his later career, where he moved towards more complex, interlocking shapes that suggest a sense of industrial scale and urban energy. It remains a clear example of his ability to command a canvas through minimal means, focusing on the relationship between form and void without resorting to representational imagery.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Le Gros - Franz Kline
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Franz Kline
Kline painted black and white. Large canvases, housepainter's brushes, industrial enamel. The strokes are enormous, fast, and structural: they look like bridges, girders, railway trestles, the infrastructure of an industrial city rendered as abstract gesture. He grew up in the coal country of eastern Pennsylvania and the heavy forms of mining and railroad architecture stayed in his work.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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