Le mage Baltajar et Fatime - Henri Fantin-Latour
Archival giclée
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Description
A moody, atmospheric lithograph by Henri Fantin-Latour, capturing a quiet moment between two figures through soft, granular tonal shifts.
Henri Fantin-Latour is widely recognised for his meticulous floral still-life paintings, yet his lithographic output reveals a different side of his creative practice. This work, Le mage Baltajar et Fatime, demonstrates his fascination with literary and musical themes, particularly those derived from the operas of Richard Wagner and the romantic literature of the nineteenth century. The composition captures a moment of quiet intensity between two figures, rendered with the soft, atmospheric quality characteristic of his printmaking. Fantin-Latour utilised the lithographic medium to explore light and shadow in ways that differ from his oil paintings. By employing a dense, granular application of ink, he creates a dreamlike texture that obscures sharp outlines, allowing the figures to emerge from a hazy, ethereal background. The mage, Baltajar, is depicted with an arm raised, while Fatime sits in a posture of contemplation or sorrow. This interplay of gesture and shadow creates a sense of narrative ambiguity, inviting the viewer to consider the emotional weight of the scene without the need for explicit detail. Throughout his career, Fantin-Latour produced a significant body of lithographs that were often inspired by his personal response to music. These prints were not intended as direct illustrations but rather as visual interpretations of the moods and themes he encountered in his favourite compositions. The grainy, tonal quality of this print is a hallmark of his technical approach, achieved through the careful manipulation of the lithographic stone. This piece offers a glimpse into the private, imaginative world of an artist who balanced the rigours of traditional portraiture with the fluid, evocative nature of Symbolist printmaking. It remains a fine example of his ability to translate complex emotional states into a monochromatic visual language.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Le mage Baltajar et Fatime - Henri Fantin-Latour
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Henri Fantin-Latour
His flower paintings are the opposite. They are quiet, domestic, technically precise, and painted without any obvious agenda. Roses in a glass bowl. Peonies on a table. He exhibited them in England, where they sold steadily to collectors who had no interest in Parisian literary politics. In France, during his lifetime, the flowers were practically unknown. The irony is that they are what most people now associate with his name.
He trained under Horace Lecoq de Boisbaudran, an unorthodox teacher who had his students draw from memory rather than from the model. His classmates at the Ecole des Beaux-Arts included Degas and Alphonse Legros. He was friends with Manet, Whistler, Morisot and most of the painters who became the Impressionists, but his own style remained conservative: careful drawing, smooth finish, traditional composition. He stood at the centre of the avant-garde and painted like an old master, which is an unusual position to occupy for forty years.
He was also a member of the Jinglar Society, a nine-person dining club devoted to Japanese art and ceramics, which met to eat food off Japanese plates.
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