A modernist woodcut print by Reijer Stolk, presenting a structured anatomical list of human muscles in German and Latin.

This woodcut print by the Dutch artist Reijer Stolk presents a systematic anatomical chart, detailing the musculature of the human body. The composition is strictly typographic, organising the names of various muscles into two parallel columns: one in German and the other in Latin. Stolk, known for his engagement with the graphic arts and his association with the Dutch modernist movement, employs a stark, geometric aesthetic here. The letters are rendered with a bold, blocky quality, characteristic of early twentieth-century woodcut techniques where the physical resistance of the wood grain informs the final form of the characters.

The work functions as both a scientific reference and a graphic design piece. By stripping away illustrative anatomical drawings, Stolk focuses entirely on the nomenclature of the human form. The layout is divided into logical sections, such as the chest, abdomen, arms, hips, and legs, each marked by a bold horizontal bar that acts as a visual anchor. This structural clarity reflects the modernist interest in order, function, and the reduction of visual information to its most essential components.

Reijer Stolk was a versatile artist whose output included painting, sculpture, and graphic design. This particular print demonstrates his ability to marry technical information with a clean, modernist visual language. The monochromatic palette and the deliberate, hand-carved appearance of the text provide a tactile quality that distinguishes it from purely mechanical printing methods of the era. It is a piece that appeals to those interested in the history of medical illustration, typography, and the intersection of science and art in the early twentieth century. The print remains a clear example of how utilitarian information can be transformed into a compelling graphic object through the medium of the woodcut.