A modernist woodcut print by Reijer Stolk, featuring a systematic list of human muscles in German and Latin with geometric typography.

This print by Reijer Stolk presents a systematic anatomical list of human muscles, organised by region. The text is rendered in a distinct, geometric typeface that reflects the aesthetic principles of the early twentieth-century Dutch avant-garde. Stolk, who was associated with the De Stijl movement, utilised the woodcut medium to achieve a stark, high-contrast visual effect. The composition is strictly ordered, with bold horizontal bars separating the anatomical categories, such as the neck, abdomen, and thigh muscles. Each entry provides the German common name alongside the Latin medical term, creating a functional document that bridges the gap between scientific instruction and graphic design.

The typography itself is the primary visual element. The letters are constructed from rigid, angular forms, eschewing decorative flourishes in favour of clarity and structural integrity. This approach aligns with the broader modernist interest in universal communication and the reduction of form to its essential components. The print demonstrates a precise balance between the verticality of the numbered list and the horizontal weight of the section headers. By treating the anatomical data as a graphic pattern, Stolk transforms a clinical reference sheet into a piece of visual art. The work remains a clear example of how the principles of modernism were applied to educational and scientific materials during this period. The print is marked with the artist's monogram, R:MVS, at the bottom, confirming its provenance within his body of work.