Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Asger Jorn's 'L'infinie suffisance' is an abstract expressionist painting characterised by bold brushstrokes and contrasting colours. The non-representational composition reflects Jorn's experimental approach to art-making.
Asger Jorn, born Asger Oluf Jørgensen in 1914, was a Danish artist, sculptor, ceramicist, and writer. He was a founding member of the CoBrA group and a significant figure in the Situationist International movement. Jorn's artistic output is characterised by its experimental nature and rejection of traditional artistic conventions. He often incorporated elements of chance and spontaneity into his work, resulting in dynamic and expressive compositions. 'L'infinie suffisance' exemplifies Jorn's abstract expressionist style. The painting features a complex arrangement of bold brushstrokes and contrasting colours. The composition is non-representational, with no clear subject matter or discernible forms. Instead, the focus is on the interplay of colours, textures, and gestural marks. The painting's title, which translates to 'The Infinite Sufficiency', suggests a sense of self-contained completeness and abundance. The artwork's energetic and chaotic appearance reflects Jorn's interest in exploring the subconscious and challenging established artistic norms. The painting is a testament to Jorn's innovative approach to art-making and his contribution to the development of abstract expressionism in Europe.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Danish co-founder of CoBrA and former Situationist, known for expressionist painting and his theatrical rejection of the 1964 Guggenheim Prize.
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