Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A detailed pen and ink study by Canaletto, capturing the construction of Westminster Bridge in London during the mid-eighteenth century.
Giovanni Antonio Canal, known as Canaletto, produced this detailed study during his extended residency in England between 1746 and 1755. The work captures the construction of Westminster Bridge, a project that occupied the city for several years during the mid-eighteenth century. Canaletto applies his characteristic precision to the stone arches, documenting the scaffolding and structural elements that define the bridge's mid-repair state.
The composition employs a low vantage point, typical of the artist's Venetian vedute, which allows the viewer to appreciate the scale of the masonry against the expanse of the river. Small figures in rowing boats populate the foreground, providing a sense of human activity and scale beneath the imposing architecture. The use of grey wash creates a tonal range that suggests the atmospheric conditions of the London sky, contrasting with the sharp, deliberate lines of the bridge's stonework.
Unlike his later, more polished oil paintings of the same subject, this drawing reveals the artist's technical process. The ink lines are firm and descriptive, mapping the geometry of the arches with mathematical clarity. The work serves as a historical record of London's urban development, documenting the transition of the city's infrastructure during the Georgian period. Canaletto's ability to translate the light and texture of stone into a monochromatic medium remains evident here, demonstrating his mastery of perspective and architectural draughtsmanship. This print captures the original's balance between the rigid, man-made structure of the bridge and the fluid, organic movement of the Thames, offering a glimpse into the capital's appearance before the industrial expansion of the following century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Museum-Quality Materials
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