Looking as if she wants to change - The appearance of a proprietress of the Kaei era - Tsukioka Yoshitoshi
Archival giclée
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Description
A woodblock print from Tsukioka Yoshitoshi's 1888 series, depicting a woman from the Kaei era in a moment of quiet domestic activity.
This woodblock print is part of the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuniso), produced by Tsukioka Yoshitoshi in 1888. The series examines the changing social roles and personal expressions of women across different historical periods in Japan. In this specific composition, the artist depicts a woman from the Kaei era (1848-1854), identified as a proprietress, engaged in the quiet activity of tending to potted plants.
Yoshitoshi employs a refined line quality to define the subject's features and the folds of her striped kimono. The composition balances the figure against a neutral background, allowing the viewer to focus on the subtle expression of the woman. Her posture, leaning forward with a pot in her hands, suggests a moment of domestic focus. The inclusion of a small lamp and a plum branch adds specific narrative detail to the scene, grounding the figure in a particular domestic environment. The colour palette remains restrained, relying on the interplay between the blue-toned stripes of the garment and the muted tones of the background to create a sense of historical distance.
As a late master of the ukiyo-e tradition, Yoshitoshi brought a psychological depth to his subjects that departed from the more stylised conventions of his predecessors. This print demonstrates his ability to capture individual character through gesture and facial expression. The work functions as a historical record of fashion and social custom, while also operating as a study of human behaviour. The print is a characteristic example of the Meiji-period interest in documenting the past, presented through the technical precision of traditional Japanese printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Looking as if she wants to change - The appearance of a proprietress of the Kaei era - Tsukioka Yoshitoshi
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