Lucie Cousturier - Maximilien Luce
Archival giclée
Ready to hang
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Description
A portrait of Lucie Cousturier by Maximilien Luce, rendered in the artist's signature Neo-Impressionist style. The painting features small, distinct strokes of colour, creating a shimmering surface of light.
Maximilien Luce's portrait of Lucie Cousturier captures the sitter in a full-length pose, set within an interior space rendered in the artist's signature Neo-Impressionist style. Cousturier, an artist and writer herself, is depicted in a dark, elegant dress with a large hat, holding a parasol. The background features a patterned sofa and framed pictures, all composed of small, distinct strokes of colour that define the Neo-Impressionist technique. The overall effect is a shimmering surface of light and colour, where the figure and the environment blend together harmoniously. Luce was a prominent figure within the Neo-Impressionist movement, which sought to apply scientific principles of colour theory to painting. This approach, pioneered by Georges Seurat, involved using small dots of pure colour that would blend optically in the viewer's eye. Luce adapted this technique to his own style, often using it to depict scenes of modern life and portraits of contemporaries. His work often reflects his anarchist political beliefs, portraying working-class subjects and social themes. This portrait of Lucie Cousturier, while seemingly a straightforward depiction, also reflects the artistic and intellectual circles in which Luce moved, capturing the spirit of the era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Lucie Cousturier - Maximilien Luce
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Museum-Quality Materials
Artist Biography
Maximilien Luce
Luce embraced Pointillism, or Neo-Impressionism, following the lead of Georges Seurat and Paul Signac. This technique involved applying small, distinct dots of colour to the canvas, which then blend in the viewer's eye to create a unified image. Unlike Seurat, who sought a scientific precision, Luce used Pointillism to capture the energy and dynamism of modern life, particularly the industrial world. His paintings demonstrate a fascination with light and colour and an interest in capturing the atmosphere of his subjects.
Today, Luce's art appeals to collectors interested in works that combine aesthetic beauty with social consciousness. His scenes of working-class life offer a window into a specific historical moment, while his Pointillist technique provides visual appeal. His paintings stand out from typical Impressionist subjects, making them attractive to those seeking something different.
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