A refined woodcut by Aristide Maillol, depicting a scene from the pastoral romance Daphnis and Chloe with clean, classical lines.

This woodcut by Aristide Maillol illustrates a scene from the ancient Greek pastoral romance, Daphnis and Chloe, by Longus. Maillol, primarily known for his sculpture, produced a series of woodcuts for a 1937 edition of this text. The composition displays his characteristic focus on simplified, classical forms and clear, rhythmic lines.

In this scene, Lycaenium instructs the young Daphnis in the ways of love. The figures are rendered with minimal detail, prioritising the purity of their silhouettes and the balance of their physical interaction. The surrounding foliage is reduced to decorative, schematic patterns that frame the central figures without distracting from their gestures. Maillol avoids unnecessary ornamentation, allowing the viewer to focus on the interplay of the two bodies.

The print reflects the artist's interest in the Mediterranean tradition, where human form is treated with a sense of timelessness. The lines are clean and deliberate, typical of his graphic work which often accompanied his sculptural practice. By stripping away the superfluous, Maillol achieves a sense of calm and clarity. This work demonstrates his ability to translate the tactile quality of his three-dimensional figures into the two-dimensional medium of the woodcut. The stark contrast between the dark ink and the paper surface emphasises the clarity of his draughtsmanship, making it a representative example of his illustrative style during the mid-twentieth century.