Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A diptych by Carlo Crivelli, depicting the Madonna and Child alongside Saint Francis of Assisi. This Early Renaissance work is characterised by elaborate detail, gold leaf, and a decorative sensibility.
This diptych by Carlo Crivelli presents the Madonna and Child alongside Saint Francis of Assisi. Crivelli, an Italian painter of the Early Renaissance, is known for his distinctive style, characterised by elaborate detail and the use of gold leaf. His works often display a certain emotional intensity and a decorative sensibility that sets him apart from his contemporaries. The left panel depicts the Madonna seated, holding the Christ Child. Both figures are adorned with halos, and the Madonna's gown is rendered with careful attention to its folds and embellishments. The background is a solid gold, typical of the period, which adds to the work's sense of opulence. The right panel features Saint Francis of Assisi, identifiable by his simple brown robe and tonsured head. He stands in a similar gold-grounded space, his hands gesturing in a manner that suggests either blessing or supplication. The architectural frames of each panel are embellished with decorative elements, further enhancing the overall richness of the composition. The painting exemplifies Crivelli's ability to combine religious iconography with decorative flair.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Venetian-trained painter who spent his career in the Marche, known for gold-ground altarpieces of exceptional decorative intensity.
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