A powerful allegorical painting by George Frederick Watts, depicting the destructive nature of greed through the figure of Mammon.

George Frederick Watts painted Mammon in 1885 as part of his series of allegorical works. The composition depicts the personification of greed, represented as a heavy, golden-clad figure seated upon a throne. The figure wears a crown of laurel leaves, yet his expression remains vacant and detached. His physical weight presses down upon two smaller, vulnerable figures who lie crushed beneath his robes. The scene serves as a critique of material obsession and the indifference of wealth toward human suffering.

Watts utilised a muted, earthy palette to ground the scene in a sombre reality. The contrast between the metallic sheen of the central figure's garments and the pale, fragile forms of the victims creates a clear visual hierarchy. The inclusion of skulls on the throne backrest provides a memento mori, reminding the viewer of the inevitable end that awaits even the most powerful. This work reflects the Victorian concern with the social consequences of industrialisation and the unchecked pursuit of capital.

As a member of the Symbolist movement, Watts focused on universal themes rather than specific historical events. His approach to the canvas involves thick, deliberate brushwork that adds texture to the heavy fabrics and the oppressive atmosphere of the throne room. The painting remains a stark observation of human nature, stripped of sentimentality. By focusing on the physical crushing of the weak, Watts communicates the destructive nature of avarice without relying on overt narrative explanation. The work is currently held in the collection of the Tate, where it continues to be studied for its technical execution and its biting social commentary on the era.