A nineteenth-century wood engraving by Isaac Weissenbruch depicting a temperance advocate addressing a street crowd, accompanied by moralising verse.

This wood engraving by Isaac Weissenbruch captures a scene of nineteenth-century social reform. A man stands upon a stone plinth, holding a broadside or placard that calls for the abolition of strong spirits. He addresses a small, attentive group of passersby, who are depicted in the varied attire of the period, including top hats and bonnets. The composition is typical of mid-nineteenth-century Dutch periodical illustrations, where moralising narratives were frequently paired with didactic verse.

The text below the image, titled 'Prenten-Magazijn voor het Nederlandsche Volk', provides a poetic context for the visual scene. It frames the act of temperance advocacy as a moral duty, linking the consumption of alcohol to poverty and spiritual discord. Weissenbruch, a member of the notable Weissenbruch family of artists, utilised a clean, linear style suited for mass reproduction in printed media. The figures are rendered with clear outlines, and the setting is suggested through minimal architectural details, such as the doorway and the street lamp, which ground the action in an urban environment.

This print offers a glimpse into the temperance movements that gained traction across Europe during the 1800s. Such illustrations were intended to educate the public and promote sobriety as a path to domestic stability and religious adherence. The inclusion of a biblical reference, 2 Timothy 2:19, reinforces the religious underpinning of the message. The work remains a document of the era's social concerns, reflecting the intersection of popular journalism, moral instruction, and the graphic arts in the Netherlands. The print is preserved as part of a larger collection of popular imagery, documenting the visual culture of the Dutch working and middle classes during a period of significant social change.