A portrait of the young Manuel Osorio Manrique de Zuñiga by Francisco de Goya, featuring the boy with his pets in a formal, composed setting.

Painted by Francisco de Goya in the late 1780s, this portrait depicts the young Manuel Osorio Manrique de Zuñiga, the son of the Count of Altamira. The boy stands in a formal, upright posture, dressed in a striking red suit with a white sash. His expression is solemn, contrasting with the playful nature of his companions.

Goya includes several animals in the composition, which serve as symbolic elements. A magpie, tethered by a string held in the boy's hand, holds a calling card bearing the artist's signature. To the left, three cats watch the bird with intense focus, their eyes reflecting a predatory instinct that adds a layer of tension to the scene. To the right, a green cage contains several finches.

The background is a muted, neutral tone, which directs the viewer's attention to the vivid red of the boy's attire. Goya uses light to model the figure, creating a sense of volume and presence. The brushwork is precise, particularly in the rendering of the lace collar and the textures of the animals' fur.

This work is a fine example of Goya's portraiture during his time as a court painter. He captures the aristocratic status of the child while introducing a narrative quality through the inclusion of the pets. The painting remains a notable piece within the artist's body of work, demonstrating his ability to balance formal requirements with his own stylistic choices. The inscription at the bottom identifies the sitter and his birth year, providing a clear historical record of the subject.