A detailed seventeenth-century etching by Johann Wilhelm Baur depicting the mythological escape of Medea in her serpent-drawn chariot.

This etching by Johann Wilhelm Baur depicts the dramatic conclusion of the Medea myth, where the sorceress escapes Corinth in a chariot pulled by winged serpents. Baur, a German artist active during the early seventeenth century, was well-regarded for his small-scale, highly detailed narrative works. His training in Italy allowed him to integrate the theatricality of the Baroque style with a precise, miniaturist approach to printmaking.

The composition captures Medea in mid-flight, her form rendered with dynamic energy as she steers the serpentine team through a bank of clouds. Below, the rugged terrain provides a sense of scale, contrasting the terrestrial world with the supernatural event occurring above. Baur employs fine, hatched lines to create depth and texture, particularly in the billowing clouds and the scales of the dragons. The artist's signature, 'V. Baur fe.', appears in the lower left corner, a common practice for his series of mythological and historical illustrations.

Baur's work often focused on classical themes, and this print reflects the period's fascination with Ovidian narratives. The etching demonstrates his ability to convey complex movement within a confined space. The lines are controlled and deliberate, characteristic of his technical proficiency as an etcher. By focusing on the moment of flight, Baur emphasises the narrative tension inherent in the myth. This piece provides a clear example of the seventeenth-century interest in classical literature, translated into the accessible medium of the print. It remains a representative example of Baur's contribution to the visual culture of his time, showcasing his skill in balancing mythological drama with technical precision.