A Dutch mezzotint by Jacob Gole depicting a monk crowned as the 'King of the Old Year', featuring a philosophical inscription on the passage of time.

This mezzotint by Jacob Gole depicts a figure identified as 'Le Père Jacques', presented within a circular frame. The subject wears a monk's habit and a crown, symbolising his role as the 'King of the Old Year'. The composition uses the mezzotint technique to create soft transitions between light and shadow, allowing for a realistic rendering of the subject's weathered facial features and the texture of his garments.

Below the portrait, the print includes a French inscription that reflects on the passage of time and the fleeting nature of authority. The text notes that the subject was the king of the past year, drawing a parallel between his former status and the inevitable approach of death. This memento mori theme is common in Dutch printmaking of the period, where allegorical figures often served as reminders of human mortality and the cyclical nature of time.

Jacob Gole was a prolific Dutch engraver and publisher active in Amsterdam. He is recognised for his skill in mezzotint, a process that involves roughening a copper plate to produce tonal variations rather than relying solely on lines. This method allowed Gole to achieve a painterly quality in his prints, which were often distributed as individual sheets or included in larger series. The work displays the technical precision characteristic of Gole's output, capturing the sombre expression of the monk with clarity. The inclusion of the text block provides both context and a philosophical dimension to the portrait, typical of the era's interest in combining visual art with moralising verse.