Motor Vessel Mounting a Wave - Alfred Wallis
Archival giclée
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Description
A striking marine study by Alfred Wallis, capturing a motor vessel navigating a steep wave through simplified forms and raw, expressive brushwork.
Alfred Wallis, a former Cornish fisherman and scrap merchant, began painting in his late sixties. He lacked formal training, yet his work possesses a directness that attracted the attention of Ben Nicholson and Christopher Wood in 1928. This piece, Motor Vessel Mounting a Wave, captures the essence of his maritime experience. Wallis often utilised discarded materials, such as cardboard boxes or scraps of wood, which dictated the scale and shape of his compositions.
The image depicts a vessel navigating a steep, grey swell. The perspective is flattened, a common trait in his work where the artist prioritised the relative importance of objects over realistic spatial depth. The ship is rendered with simple, linear strokes, showing the masts and superstructure against a stark, neutral background. The wave itself is a solid mass of grey, applied with a heavy hand, contrasting with the lighter, more delicate pencil work used for the rigging and details of the boat.
Wallis did not seek to replicate the appearance of the sea through traditional techniques. Instead, he relied on memory and his internal understanding of how a ship behaves in rough water. The lack of a horizon line or complex atmospheric effects forces the viewer to focus on the immediate action of the vessel. His work is often categorised as naive or primitive, yet it demonstrates a sophisticated grasp of composition and narrative economy. By stripping away unnecessary detail, Wallis conveys the physical struggle between the machine and the ocean. This print preserves the texture of the original cardboard support, maintaining the raw, honest quality that defined his output during his years in St Ives.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Motor Vessel Mounting a Wave - Alfred Wallis
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