Mr. and Mrs. Andrews - Thomas Gainsborough
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic eighteenth-century portrait by Thomas Gainsborough, depicting a couple on their Suffolk estate with an expansive rural backdrop.
Painted around 1750, this work depicts Robert and Frances Andrews on their estate in Suffolk. Thomas Gainsborough, a native of the region, combines the conventions of portraiture with his own interest in the natural world. The couple is positioned to the left, seated beneath an oak tree, while the expansive fields of their property occupy the majority of the canvas.
Robert Andrews stands with his shotgun and hunting dog, signalling his status as a landowner. His wife, Frances, wears a pale blue silk dress, her pose echoing the curve of the bench. The composition is notable for its balance between the figures and the surrounding environment. Gainsborough employs a light, fluid brushwork that captures the textures of the wheat fields and the soft, shifting clouds above.
The painting reflects the social values of the mid-eighteenth century, where land ownership was a primary indicator of wealth and stability. Unlike many formal portraits of the period, which often utilised heavy studio backdrops, this piece places the subjects within their own domain. The attention to the specific details of the Suffolk countryside, from the hedgerows to the distant hills, demonstrates the artist's early mastery of natural observation.
This work remains a primary example of the conversation piece, a genre popular in British art during the eighteenth century. It captures a moment of domestic leisure while documenting the agricultural success of the sitters. The interplay between the human subjects and the rural setting provides a clear view into the lifestyle of the landed gentry. The National Gallery in London holds the original canvas, which continues to be studied for its technical execution and its representation of English social history.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mr. and Mrs. Andrews - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

