Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Natura Morta (Still Life with Teapot and Ear of Grain) - Giorgio Morandi
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A still life by Giorgio Morandi, featuring a teapot, warming pan, and ear of grain. The muted colour palette and simple forms create a sense of quiet contemplation.
This still life by Giorgio Morandi (1890-1964), an Italian painter and printmaker, presents a composition of everyday objects rendered with a muted palette and subtle gradations of tone. Morandi is best known for his still-life paintings, which often feature bottles, vases, and other simple forms arranged in quiet, contemplative groupings. His work is characterised by its reductive approach, focusing on the essential qualities of form, light, and colour. He developed a unique style within the broader context of 20th-century art, often associated with Metaphysical painting. In this particular work, a dark teapot with a lid and curved handle sits to the left, its form softened by the diffused light. A long-handled object, possibly a warming pan or strainer, lies diagonally across the composition, its circular head contrasting with the angularity of the teapot. An ear of grain, rendered in delicate lines, extends from the lower left, its slender form adding a touch of organicism to the arrangement. The colour scheme is restrained, dominated by earthy browns, greens, and greys, creating a sense of stillness and introspection. The surface texture appears smooth, with subtle variations in tone that suggest the play of light across the objects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Natura Morta (Still Life with Teapot and Ear of Grain) - Giorgio Morandi
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giorgio Morandi
Morandi outlined his feet in chalk on the ground when he painted landscapes outdoors so he would not shift position. He only painted dry or artificial flowers, never living ones. He lived his entire life in the same family apartment in Bologna with his three unmarried sisters, never married, and only left Italy three times, all late in life.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From $169
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From $59
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From $175
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Giorgio Morandi
Morandi outlined his feet in chalk on the ground when he painted landscapes outdoors so he would not shift position. He only painted dry or artificial flowers, never living ones. He lived his entire life in the same family apartment in Bologna with his three unmarried sisters, never married, and only left Italy three times, all late in life.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
He was born in 1890 in Bologna. His father wanted him in the export business. He taught drawing in elementary schools for years before becoming Professor of Etchings at the Bologna Academy of Fine Arts in 1930. He painted the same bottles, boxes, vases, and tins for roughly fifty years. The objects barely changed. The light changed, the colour changed, the spatial relationships changed, but the subjects were the same dozen or so items rearranged on the same table.
He was a heavy smoker, tall with large feet, wore elegant long coats, and disliked being called master. He used a small cardboard frame cut-out to set his compositional boundaries. He died in 1964.
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