Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
New York - Franz Kline
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A powerful example of Abstract Expressionism, this 1953 work by Franz Kline uses bold, gestural black strokes against a white ground to create structural tension.
Franz Kline produced New York in 1953, a period when his work reached a high level of formal clarity. This painting is characteristic of his mature style, which relies on a stark, monochromatic palette of black and white. Kline applied thick, gestural strokes of black paint across a white ground, creating a composition that suggests structural tension rather than representational form.
The work is often associated with the urban environment, yet Kline maintained that his paintings were not depictions of specific places. Instead, he focused on the physical act of painting and the relationship between the painted marks and the negative space surrounding them. The heavy, calligraphic lines intersect and overlap, creating a sense of weight and velocity. The white areas are not merely background; they function as active components of the composition, pushing against the black forms.
Kline's process involved projecting small sketches onto a wall to study their scale and impact before committing them to a larger canvas. This method allowed him to maintain the spontaneity of his initial ideas while achieving a monumental presence. The resulting image possesses a raw, immediate quality that avoids decorative intent. By stripping away colour and narrative, Kline directed the viewer's attention to the rhythm of the brushwork and the balance of the composition. This approach remains a defining example of the mid-century American avant-garde, where the focus shifted toward the materiality of paint and the expressive potential of abstract form.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
New York - Franz Kline
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Franz Kline
Kline painted black and white. Large canvases, housepainter's brushes, industrial enamel. The strokes are enormous, fast, and structural: they look like bridges, girders, railway trestles, the infrastructure of an industrial city rendered as abstract gesture. He grew up in the coal country of eastern Pennsylvania and the heavy forms of mining and railroad architecture stayed in his work.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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