Nieuwjaarswens van Octave Uzanne voor het jaar 1897 - Georges de Feure
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A graceful Art Nouveau lithograph by Georges de Feure, this New Year's greeting card for Octave Uzanne captures the elegance of the Belle Époque with its stylish subject and delicate colour palette.
This elegant Art Nouveau lithograph by Georges de Feure, titled 'Nieuwjaarswens van Octave Uzanne voor het jaar 1897', was created as a New Year's greeting card for the French writer and publisher Octave Uzanne. The image depicts a stylish woman seated in a comfortable chair, engrossed in a book. Her fashionable attire, complete with a feathered hat and elaborate sleeves, reflects the refined aesthetic of the Belle Époque. The scene is set within an interior, with a bookshelf and a glimpse of Parisian rooftops visible through the window, adding depth and context to the composition. De Feure's delicate linework and muted colour palette are characteristic of the Art Nouveau style, emphasising elegance and sophistication. The text above the image wishes the recipient 'Voeux, souvenirs et compliments amicaux' (wishes, memories and friendly compliments). As a fine art print, this piece brings a touch of vintage Parisian charm to any space. Its soft colours and graceful design make it a perfect addition to a living room, study, or bedroom, adding a sense of timeless beauty and intellectual flair. The print's historical significance and artistic merit make it a conversation starter and a cherished piece for any art lover.
Nieuwjaarswens van Octave Uzanne voor het jaar 1897 - Georges de Feure
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Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Georges de Feure
Georges de Feure, born Georges Joseph van Sluÿters, was a Franco-Dutch artist whose name is now synonymous with the elegant excesses of Art Nouveau and Symbolism. Though less widely celebrated than some of his contemporaries, de Feure's versatility was remarkable. He excelled not only as a painter and illustrator but also as a designer of furniture, theatre sets, and even perfume bottles. This multidisciplinary approach, characteristic of the Art Nouveau ethos, allowed him to create a complete aesthetic world, one that embraced the beauty of the ephemeral and the power of suggestion. De Feure's artistic journey began in the Netherlands, but it was in Paris that he truly flourished. He became a key figure in the Parisian avant-garde, contributing regularly to journals like *Le Courrier français* and exhibiting at prestigious venues such as the Salon de la Rose + Croix. His illustrations, often featuring ethereal women in flowing gowns, captured the spirit of the age. Yet, unlike some of his peers, de Feure resisted being pigeonholed. His work often explored darker, more psychologically complex themes, hinting at the anxieties lurking beneath the surface of Belle Époque society. While his paintings and prints are highly sought after, de Feure's legacy extends beyond the canvas. His designs for Siegfried Bing's *Maison de l'Art Nouveau* helped define the movement's aesthetic. His furniture, with its organic forms and sensual curves, exemplifies the Art Nouveau desire to bring art into everyday life. Whether it's a delicate perfume bottle or a striking poster, a Georges de Feure piece embodies the era's fascination with beauty, mystery, and the transformative power of art.
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