Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.


A classic example of Rothko's colour field paintings, 'No. 10' features horizontal blocks of blue, yellow, and grey with soft edges, creating a contemplative and emotionally resonant abstract composition.
Mark Rothko (1903-1970) was a Latvian-born American painter, generally identified as an Abstract Expressionist. His work avoids direct representation, instead using colour and form to evoke emotional responses. Rothko resisted being labelled an abstract painter, asserting that his colours expressed basic human emotions. He is best known for his abstract paintings from 1950 to 1970, which feature large, rectangular expanses of colour, often arranged in soft, blurry layers. These works are intended to create a contemplative experience for the viewer. 'No. 10' exemplifies Rothko's signature style. The canvas is divided into horizontal sections of colour: a band of deep blue at the top, followed by a large rectangle of bright yellow, and a lower section of pale grey. The edges of these colour fields are soft and diffused, creating a sense of depth and allowing the colours to interact. The painting's composition is simple, yet the scale and colour choices create a powerful visual experience. The painting invites viewers to contemplate the relationships between colours and their emotional impact.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Dropped out of Yale, spent a decade finding his format, returned a restaurant commission because the diners did not deserve the paintings, and filled a chapel after his death.
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