No. 16 - Mark Rothko
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic example of Mark Rothko's Color Field painting, featuring a bold, minimalist arrangement of red and white.
Mark Rothko, born Marcus Rothkowitz in Latvia, moved to the United States in 1913. He became a central figure in the New York School of painters during the mid-twentieth century. This work, dating from 1960, belongs to his mature period, characterised by the reduction of form to stacked, rectangular fields of colour.
In this composition, Rothko employs a stark contrast between a dominant, saturated red and a central, expansive white void. The edges of these colour fields are not hard or geometric. Instead, they possess a soft, feathered quality, achieved through the application of thin, layered washes of oil paint. This technique allows the colours to appear as if they are hovering or pulsating against the surface of the canvas.
Rothko intended for his paintings to elicit a direct emotional response from the viewer. He often requested that his works be hung low and in groups, encouraging an immersive experience. By removing representational imagery, he sought to communicate basic human emotions: tragedy, ecstasy, and doom. The scale of the work is intended to overwhelm the peripheral vision, drawing the viewer into the space created by the interaction of the hues.
This specific piece demonstrates his mastery of light and space. The white area acts as a source of luminosity, pushing against the surrounding red frame. The brushwork remains visible, providing a tactile quality that prevents the surface from appearing entirely flat. It is a study in balance and tension, where the simplicity of the arrangement belies the complexity of the colour relationships. The work invites quiet contemplation, asking the viewer to engage with the physical presence of the paint and the psychological weight of the colour.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
No. 16 - Mark Rothko
Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like