Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Mark Rothko's 'No. 2 (No. 7 and No. 2)' is a striking example of Color Field painting, featuring bold horizontal blocks of colour that evoke a sense of calm and introspection. A sophisticated addition to any modern interior.
Mark Rothko's 'No. 2 (No. 7 and No. 2)' from 1960 exemplifies his signature style of Color Field painting, a key movement within Abstract Expressionism. Rothko sought to evoke profound emotional experiences through the interaction of colour and form, moving away from traditional representation. This work features horizontal blocks of colour – a vibrant green at the base, topped by a thin band of red, and then expanses of white – creating a visual field that invites contemplation and introspection. The blurred edges and layered application of paint contribute to a sense of depth and luminosity, drawing the viewer into the canvas. As a fine art print, 'No. 2' brings a touch of modern sophistication to any interior. Its bold yet harmonious colours can serve as a focal point in a living room or study, adding a sense of calm and visual interest. The print's abstract nature allows for versatile placement, complementing both minimalist and eclectic decor styles. Rothko's exploration of colour and emotion makes this piece a timeless addition to any art collection, offering a daily opportunity for reflection and aesthetic enjoyment.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Mark Rothko, born Markus Yakovlevich Rothkowitz in Latvia in 1903, remains one of the most significant figures in abstract expressionism. While many associate him with colour field painting, Rothko resisted such categorisation, insisting his works were about profound human emotions: tragedy, ecstasy, and doom. He sought to create paintings that resonated with viewers on a deeply personal, almost spiritual level, often drawing inspiration from mythology and philosophy. Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting. Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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