No. 8, 9, p. 26 from Gazette du Bon Ton - George Barbier
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An elegant fashion illustration by George Barbier from the 'Gazette du Bon Ton', c. 1913, capturing the essence of Art Deco Parisian haute couture. A touch of vintage glamour for any interior.
This elegant fashion illustration by George Barbier, titled 'No. 8, 9, p. 26' and originating from the 'Gazette du Bon Ton' around 1913, encapsulates the refined aesthetics of the Art Deco era. Barbier, a leading figure in French illustration, masterfully captures the essence of Parisian haute couture with his distinctive style and meticulous attention to detail. The illustration showcases a woman in a sophisticated ensemble, complete with a wide-brimmed hat, a tailored jacket, and a flowing skirt, all rendered with clean lines and subtle shading. The minimalist colour palette and elegant composition evoke a sense of timeless sophistication. As a fine art print, this piece brings a touch of vintage glamour and artistic flair to any interior. Its delicate linework and classic subject matter make it a perfect addition to a dressing room, study, or living area, adding a touch of Parisian chic to your home decor. The print serves as a stylish reminder of a bygone era, celebrating the artistry and elegance of early 20th-century fashion.
No. 8, 9, p. 26 from Gazette du Bon Ton - George Barbier
Sale price$29.00
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Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
George Barbier
George Barbier, a leading light of the Art Deco movement, captured the elegance and spirit of the Roaring Twenties like few others. Born in Nantes, France, in 1882, Barbier initially trained at the École nationale supérieure des Beaux-Arts, later studying under Jean-Paul Laurens. He quickly established himself as a sought-after illustrator, his sophisticated and often theatrical designs gracing the pages of Vogue, Gazette du Bon Ton, and other high-fashion publications. Barbier's distinctive style blended Japanese influences with classical Greek motifs, resulting in a unique aesthetic that perfectly embodied the era's taste for luxury and modernity. He wasn't just an illustrator; Barbier was a multi-talented artist who designed costumes, stage sets, and even jewellery. His work on productions like 'Scheherazade' at the Folies Bergère cemented his reputation as a visionary artist capable of creating entire worlds of beauty and fantasy. Although his career was tragically cut short by his death in 1932, George Barbier left behind a rich legacy of illustrations and designs that continue to inspire and captivate. His prints offer a glimpse into a glamorous past, a world of flappers, cocktails, and unapologetic joie de vivre. Owning a Barbier print is like owning a piece of the Jazz Age itself.
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