Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A lithograph by Paul Gavarni titled 'Not a Coquette, p. 69', depicting a woman in profile carrying a basket in a simple interior setting. The artwork showcases Gavarni's skill in capturing social observations through detailed line work.
Paul Gavarni (1804-1866) was a French caricaturist, born Hippolyte Sulpice Guillaume Chevalier in Paris. He initially trained as a draughtsman, and his early work involved technical drawing. However, he soon transitioned to fashion illustration and, later, satirical lithography. Gavarni's work often appeared in periodicals such as 'Le Charivari', where he gained recognition for his acute observations of Parisian life and manners. His caricatures frequently depicted the lives of the working class, students, and fashionable society, offering a critical yet humorous commentary on the social issues of his time. 'Not a Coquette, p. 69' is a lithograph that presents a full-length portrait of a woman. She stands in profile, facing left, with a shawl draped over her shoulders and a headscarf covering her hair. She carries a flat basket or tray, and her gaze is directed downwards. The setting appears to be a simple interior, possibly a workshop or storage area, with stacked objects and rudimentary structures visible in the background. The lithographic technique is evident in the fine, precise lines and the subtle gradations of tone that define the forms and textures within the composition.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Paris's most stylish caricaturist, imprisoned for debt, then turning to the London poor after his marriage collapsed
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